SEMUA YANG ANDA
INGIN TANYAKAN

Send me a brief through the booking form, or message me on WhatsApp. I reply with a written quote covering the scope, the price and the deadline.

Once you are happy, we both sign the booking agreement, you pay the deposit, and the date is yours. Nothing starts before that — not because I do not trust you, but because a written scope protects both of us.

Between 10% and 50% — you choose within that range.

Once a booking is confirmed the deposit is non-refundable, because I have turned other work away and held the date for you.

It depends on the service, and there are five patterns:

Pay before each step — single videos, video editing, photo editing.
Monthly window, 28th–31st — bundles, Canvas UGC, ambassadorships, retainers, reviews.
Half and half — voice-over: 50% to book, 50% on delivery of the master.
Day rate, invoiced after — product photography, stay & property, commercial talent, travel, wedding.
Daily, weekly or twice a month — live host sessions.

FPX, online banking, debit card and QR Pay go directly to Maybank — Nur Badzlina Razi binti Mohamed Gazali, 1651 2543 2269. Stripe and Payoneer are available by arrangement. PayPal is coming.

Please confirm the account details with me before you transfer anything. I will never ask you to send payment to a different name or account number.

From RM 45 per 30-minute slot on one platform — TikTok Live or Shopee Live. From RM 65 per slot to run both at the same time from a single session, which reaches two audiences for far less than booking two separate sessions.

Longer blocks cost less per slot. The full breakdown is on the rate card.

Between 30 minutes and 4 hours a day, in 30-minute slots, arranged around my university schedule.

I keep slots short on purpose. A tight, well-prepared half hour on a few products converts better than four unfocused hours on your whole catalogue.

Yes — live host fees are the most flexible thing I offer. Settle daily after each day's sessions, weekly, twice a month on the 15th and month end, or on the usual 28th–31st window. Tell me which suits your cash flow.

Commission, where agreed, follows separately once the platform reconciles the session.

No. Commission is very welcome as upside on top of the slot fee — 3% to 8% of session sales — but not instead of it.

A slow night is usually about price, stock or timing, and all three are yours to control rather than mine. I am glad to share the upside; I cannot carry the risk on someone else's pricing.

Either. Most brands prefer their own account or seller centre, so the audience and the followers stay with them. If you would rather I host on my own channel, we discuss commission as part of the arrangement.

At least three days before the first slot. I research the product, write a run-of-show and prepare hooks and objection answers for every item — none of which I can do properly with a box that arrives an hour before we go live.

Two rounds inside the agreed scope, included.

A change of concept after filming is new work rather than a revision — but I will always tell you which one it is before I start, never after.

Yes, at +50% of the base price, with usage rights included. Some brands want the source files so their own team can cut alternate versions — that is completely fine.

Organic use on your own channels is included as standard. Paid advertising is licensed separately, priced by term — 3, 6 or 12 months — and by territory.

Tell me at the briefing stage rather than afterwards, and it costs less.

You see everything watermarked first. Once the balance is settled the clean files go over by Blip, WeTransfer or Google Drive — usually the same day.

I build a brand-new TikTok or Instagram account for you from zero, post to it every day for thirty days in a raw format that never reads as an ad, then hand the entire account over — logins, content and audience.

You end up owning a channel with real history instead of renting a placement on mine. Very few Malaysian creators offer it.

Everything is remote as standard, produced from my own home studio.

For 1–2 day events I attend in person across Peninsular Malaysia. I am based in Kota Bharu, Kelantan and in Kuala Lumpur regularly for university, so those two are my most affordable in-person rates at +30–50%. Elsewhere in the Peninsula adds 50–80%. Sabah and Sarawak are quoted separately.

Because you are paying for the content rather than the logistics. No studio hire, no travel time, no dead hours around a booking. I also travel with my daughter, so anywhere requiring flights carries two sets of costs rather than one.

Yes — remotely, worldwide, in Bahasa Melayu and English. Rates are quoted in MYR, USD or GBP, priced to each market rather than converted from one another.